In March 2020, the Clanless will Unite! Mad Cave Studios has again teamed up with the creator of Over the Ropes, this time for a different type of fight! Together, Jay Sandlin and series artist, Ataguna Ilhan, team up with powerhouse colorist, Maria Santaolalla. Hellfighter Quin is the newest action-packed comic about Quinlan Jones, the Hellfighter; Harlem’s own vigilante.
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Jim Sangster Sr., Homicide. Has an interesting ring to it, doesn’t it? The moment I saw the opening sequence for Killadelphia, an email- I thought, “This is going to get interesting and drag me along for the ride.” I’m not wrong.
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Comic Book Talk: RV9 Mark London- Creator Ben Goldsmith- Writer Travis Mercer- Penciler Miguel Angel Zapata- Inker and Variant Cover Artist Maria Santaolalla- Colorist Justin Birch- Letterer Publication Date: November 13, 2019 Diamond Code: SEP191871 Rated: Teen+ Website Synopsis: Former assassin Velveteen is on the run from the Order of the 9, the organization that took her from her family and forced her into a life where all she knows is secrecy, violence, and death. Now, after years of running, she is bringing the fight to them. With help from an American hacker, Jasper, and a rookie officer with
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I know what you’re thinking (and in so knowing I’m assuming it’s the same thing I was thinking): A bunch of scientists cum (pun intended) porn stars?
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DragonCon was hot, crowded, and contained more awesome than even one of America's premiere cities could hold.
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Cabins in the woods are good for a variety of purposes. Apart from being the ideal place for recitations from the Necronomicon....
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Mad Cave Studios continues the sequel volume to its flagship book Battlecats as the battle for Valderia continues in issue #4:
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Mall: Vault Comics. Review: After capitalism ends, Mall begins. Written by Michael Moreci and Gary Dauberman, Mall takes readers back to where always wanted to spend Saturdays and makes sure they never want to darken the automatic doors again. Seriously. After reading, Mall, I'll never look at a JC Penny the same.
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There is an tendency among so called “end of the world” stories to over explain or oversell the unique features of an author’s particular vision of a dystopian hellscape. For starters, not all of them are all that hellish, so pains are taken to show why this seemingly normal world isn’t as seemly or normal as one might think.
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This August, guzzle sugar on your funnel cake, step inside the big top, and enter a world where oddity meets outright bigotry set in an early twentieth century carnival.
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